{"id":4666,"date":"2026-06-16T10:43:07","date_gmt":"2026-06-16T14:43:07","guid":{"rendered":"https:\/\/mjmsandbox.wpenginepowered.com\/?post_type=mjm_exhibition&#038;p=4666"},"modified":"2026-06-26T13:48:41","modified_gmt":"2026-06-26T17:48:41","slug":"dos-baushtibl","status":"publish","type":"mjm_exhibition","link":"https:\/\/museejuifmontreal.ca\/en\/exhibition\/dos-baushtibl\/","title":{"rendered":"Dos Baushtibl"},"content":{"rendered":"<section class=\"mjm-hero-2\" style=\"--mjm-hero-2-padding-top:0px;--mjm-hero-2-padding-bottom:0px\">\n            <div class=\"mjm-hero-2__inner\">\n                \n                <div class=\"mjm-hero-2__columns mjm-hero-2__columns--layout-1-1\">\n                    <div class=\"mjm-hero-2__column mjm-hero-2__column--left mjm-hero-2__column--button-bottom mjm-hero-2__column--text-top\"><div class=\"mjm-hero-2__left-content\" style=\"--mjm-hero-2-left-font-family:KF Zuka Regular, Helvetica Neue, Helvetica, Arial, sans-serif\">A site-specific collaborative installation by New York-based conceptual artist Yevgeniy Fiks,\u00a0<i>Dos Baushtibl<\/i>\u00a0draws upon the design principles developed and taught by the Bauhaus to investigate what can or might make visual art \u2018Yiddish.\u2019<\/div><\/div>\n                    <div class=\"mjm-hero-2__column mjm-hero-2__column--right mjm-hero-2__column--text-top\"><div class=\"mjm-hero-2__right-content\" style=\"--mjm-hero-2-right-font-family:KF Zuka Regular, Helvetica Neue, Helvetica, Arial, sans-serif;--mjm-hero-2-right-font-size:clamp(1.05rem, 1.2vw, 1.2rem)\"><p>Yevgeniy Fiks\u2019 process-driven work which led to the site-specific installation\u00a0<em>Dos Baushtibl<\/em>\u00a0or \u201cthe Little Bauhaus,\u201d uses seven prompts created by the artist to play with the question: what can or might make visual art Yiddish? Each prompt is paired with a selection of Yiddish poems that relate or call to fundamental Bauhaus design elements:<\/p>\n<ul>\n<li><strong>Line<\/strong><\/li>\n<li><strong>Shape<\/strong><\/li>\n<li><strong>Space<\/strong><\/li>\n<li><strong>Form &amp; Value<\/strong><\/li>\n<li><strong>Contrast<\/strong><\/li>\n<li><strong>Balance<\/strong><\/li>\n<li><strong>Colour<\/strong><\/li>\n<li><strong>Gray<\/strong><\/li>\n<\/ul>\n<p>Drawing on these design principles, alongside the Bauhaus\u2019 spirit of collaboration, and emphasis on accessibility, Fiks guided participants of KlezKanada\u2019s Summer Retreat through the prompts, with the resulting artworks forming the basis of the installation. As seen in the vitrine display, the prompts and artistic responses to Line, Shape, Gray, and Colour together form a varied and layered body of work. Interspersed are Yevgeniy\u2019s responses to his own prompts, and unremarkable art supplies and tools, each enigmatically bearing the name of a different Yiddish poet.<\/p>\n<p>The sum of this collaborative piece is not only an invitation to consider what might make a line, shape, or colour Yiddish, but for anyone to participate in\u00a0<em>Dos Baushtibl<\/em>\u00a0by reading the poetry, and following the prompts themselves.<\/p>\n<p>As a site-specific piece,\u00a0<em>Dos Baushtibl<\/em>\u00a0also acts as a kind of portal, calling to the Yiddish history of Montreal and the Plateau. Montreal has long been a centre of Yiddish life, with many noted writers (including poets like A.M. Klein, Chava Rosenfarb, and Melech Ravitch featured in\u00a0<em>Dos Baushtibl),\u00a0<\/em>thinkers (Ida Maze, J.I. Segal), and activists (L\u00e9a Roback, Hirsch Hershman) connected to this neighbourhood. From the early- to mid-20<sup>th<\/sup>\u00a0century,\u00a0<a href=\"http:\/\/museemontrealjuif.ca\/fisher\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"http:\/\/museemontrealjuif.ca\/fisher\">the H. Fisher &amp; Fils garment supply shop<\/a>\u00a0would have stood in the midst of a vibrant multi-lingual, and majority Jewish immigrant community. Yiddish would have been heard on most street corners, seen on signs, and featured in the front windows of stores all along St-Laurent. With Yevgeniy and his collaborators\u2019 work, a little bit of Yiddish artistry is returned to the Main.<\/p><\/div><\/div>\n                <\/div>\n            <\/div>\n        <\/section>\n\n<section class=\"mjm-apply mjm-apply--columns-1-1\">\n            <div class=\"mjm-apply__inner\">\n                \n                <div class=\"mjm-apply__content\">\n                    \n                    \n                    \n                    \n                <\/div>\n                <div class=\"mjm-apply__right-column\"><div class=\"mjm-apply__list\"><details class=\"mjm-apply__item\">\n                <summary class=\"mjm-apply__question\">\n                    <span class=\"mjm-apply__question-text\">What is Yiddish?<\/span>\n                    <span class=\"mjm-apply__toggle\" aria-hidden=\"true\"><\/span>\n                <\/summary>\n                <div class=\"mjm-apply__answer\" style=\"--mjm-apply-answer-font-family:var(--font-body);--mjm-apply-answer-line-height:1.18;--mjm-apply-answer-font-size:clamp(1rem, 1.1vw, 1.2rem)\"><p>Yiddish is a language spoken primarily by Ashkenazi Jews, blending German, Hebrew, Slavic, and other regional linguistic influences. Like other Jewish diasporic languages such as Ladino (Judeo-Spanish), Judeo-Arabic, or Judeo-Persian, it is traditionally written using the Hebrew alphabet.<\/p>\n<p>Originating around the 9<sup>th<\/sup>\u00a0century AD, Yiddish became a vibrant language for everyday life, literature, and culture, and by the early 20th century was spoken by around 10\u201311 million people. This included large immigrant communities in North America. Historically, Montreal was one of these major Yiddish centres; in 1931, 99% of its Jewish community spoke Yiddish as their mother tongue.<\/p>\n<p>Today, the number of active speakers has declined to fewer than a million worldwide, though it remains vital in some Jewish communities and cultural circles.<\/p><\/div>\n            <\/details><details class=\"mjm-apply__item\">\n                <summary class=\"mjm-apply__question\">\n                    <span class=\"mjm-apply__question-text\">What is the Bauhaus?<\/span>\n                    <span class=\"mjm-apply__toggle\" aria-hidden=\"true\"><\/span>\n                <\/summary>\n                <div class=\"mjm-apply__answer\" style=\"--mjm-apply-answer-font-family:var(--font-body);--mjm-apply-answer-line-height:1.18;--mjm-apply-answer-font-size:clamp(1rem, 1.1vw, 1.2rem)\"><p>The Bauhaus was a school of art, design, and architecture founded in Weimar, Germany in 1919. The school pioneered a modern and avant-garde approach, emphasizing collaboration between artists and craftsmen, uniting fine art with practical design, and espousing principles of simplicity, geometry, and functionality. \u00a0the Bauhaus ethos sought to bring beauty into everyday life through well-crafted, accessible objects.<\/p>\n<p data-start=\"494\" data-end=\"951\">The school became a center of modernist innovation, with influential artists such as founder Walter Gropius, Mies van der Rohe, Wassily Kandinsky, and Anni Albers teaching at the school. The faculty also included Jewish artists such as architects Marcel Breuer and painter\/photographer L\u00e1szl\u00f3 Moholy-Nagy.<\/p>\n<p>In 1933, the Nazis forced the Bauhaus\u2019 closure, condemning its internationalist and avant-garde ideals as \u201cdegenerate.\u201d Many of its teachers emigrated to North America, where figures like Gropius, Moholy-Nagy, and van der Rohe reshaped art and design education, embedding Bauhaus principles at the core of modern art pedagogy.<\/p><\/div>\n            <\/details><\/div><\/div>\n            <\/div>\n        <\/section>\n\n<section class=\"mjm-gallery-carousel\" aria-roledescription=\"carousel\" aria-label=\"Gallery carousel\">\n            <div class=\"mjm-gallery-carousel__nav\" role=\"group\" aria-label=\"Gallery carousel controls\">\n                <button class=\"mjm-gallery-carousel__nav-button mjm-gallery-carousel__nav-button--prev\" type=\"button\" aria-label=\"Previous item\" hidden>\n                    <img decoding=\"async\" class=\"mjm-gallery-carousel__arrow-icon\" src=\"https:\/\/museejuifmontreal.ca\/wp-content\/themes\/mjm-theme\/assets\/images\/Arrow_Left.svg\" alt=\"\" aria-hidden=\"true\" \/>\n                <\/button>\n                <button class=\"mjm-gallery-carousel__nav-button mjm-gallery-carousel__nav-button--next\" type=\"button\" aria-label=\"Next item\">\n                    <img decoding=\"async\" class=\"mjm-gallery-carousel__arrow-icon\" src=\"https:\/\/museejuifmontreal.ca\/wp-content\/themes\/mjm-theme\/assets\/images\/Arrow_Right.svg\" alt=\"\" aria-hidden=\"true\" \/>\n                <\/button>\n            <\/div>\n            <div class=\"mjm-gallery-carousel__viewport\" tabindex=\"0\">\n                <ul class=\"mjm-gallery-carousel__track\" role=\"list\"><li class=\"mjm-gallery-carousel__item\">\n                <div class=\"mjm-gallery-carousel__item-inner\"><div class=\"mjm-gallery-carousel__image-wrap\"><img decoding=\"async\" class=\"mjm-gallery-carousel__image\" src=\"https:\/\/museejuifmontreal.ca\/wp-content\/uploads\/2026\/06\/IMG_7723-683x1024.jpg\" alt=\"\" loading=\"eager\" \/><\/div>\n            <div class=\"mjm-gallery-carousel__content\"><p class=\"mjm-gallery-carousel__creator\">Charlotte Rainville<\/p><h3 class=\"mjm-gallery-carousel__title\">Dos Baushtibl<\/h3><p class=\"mjm-gallery-carousel__description\">Installation, H. Fisher &amp; Fils Vitrine<\/p><\/div><\/div>\n            <\/li><li class=\"mjm-gallery-carousel__item\">\n                <div class=\"mjm-gallery-carousel__item-inner\"><div class=\"mjm-gallery-carousel__image-wrap\"><img decoding=\"async\" class=\"mjm-gallery-carousel__image\" src=\"https:\/\/museejuifmontreal.ca\/wp-content\/uploads\/2026\/06\/IMG_8030-683x1024.jpg\" alt=\"\" loading=\"eager\" \/><\/div>\n            <div class=\"mjm-gallery-carousel__content\"><p class=\"mjm-gallery-carousel__creator\">Charlotte Rainville<\/p><h3 class=\"mjm-gallery-carousel__title\">Dos Baushtibl<\/h3><p class=\"mjm-gallery-carousel__description\">Installation, H. Fisher &amp; Fils Vitrine<\/p><\/div><\/div>\n            <\/li><li class=\"mjm-gallery-carousel__item\">\n                <div class=\"mjm-gallery-carousel__item-inner\"><div class=\"mjm-gallery-carousel__image-wrap\"><img decoding=\"async\" class=\"mjm-gallery-carousel__image\" src=\"https:\/\/museejuifmontreal.ca\/wp-content\/uploads\/2026\/06\/IMG_7976-683x1024.jpg\" alt=\"\" loading=\"eager\" \/><\/div>\n            <div class=\"mjm-gallery-carousel__content\"><p class=\"mjm-gallery-carousel__creator\">Charlotte Rainville<\/p><h3 class=\"mjm-gallery-carousel__title\">Dos Baushtibl<\/h3><p class=\"mjm-gallery-carousel__description\">Installation, H. Fisher &amp; Fils Vitrine<\/p><\/div><\/div>\n            <\/li><\/ul>\n            <\/div>\n        <\/section>\n\n<section class=\"mjm-creators-statement mjm-layout-full-padded\" style=\"--mjm-creators-statement-background-color:#FFC800;--mjm-creators-statement-text-color:#000000;background-color:#FFC800\" data-mjm-creators-statement>\n            <div class=\"mjm-creators-statement__inner\">\n                <div class=\"mjm-creators-statement__left\">\n                    <div class=\"mjm-creators-statement__nav\" role=\"group\" aria-label=\"Creator statement sections\">\n                        <button class=\"mjm-creators-statement__trigger mjm-creators-statement__trigger--statement is-active\" type=\"button\" data-panel=\"statement\" data-mjm-creators-statement-trigger aria-controls=\"mjm-creators-statement-1statement\" aria-expanded=\"true\" aria-current=\"true\"><span class=\"mjm-creators-statement__trigger-text\">Artist&#039;s Statement<\/span><img decoding=\"async\" class=\"mjm-creators-statement__control-icon\" src=\"https:\/\/museejuifmontreal.ca\/wp-content\/themes\/mjm-theme\/assets\/images\/go_to_arrow.svg\" alt=\"\" aria-hidden=\"true\" \/><\/button>\n<button class=\"mjm-creators-statement__trigger mjm-creators-statement__trigger--biography is-inactive\" type=\"button\" data-panel=\"biography\" data-mjm-creators-statement-trigger aria-controls=\"mjm-creators-statement-1biography\" aria-expanded=\"false\" aria-current=\"false\"><span class=\"mjm-creators-statement__trigger-text\">Artist&#039;s Biography<\/span><img decoding=\"async\" class=\"mjm-creators-statement__control-icon\" src=\"https:\/\/museejuifmontreal.ca\/wp-content\/themes\/mjm-theme\/assets\/images\/go_to_arrow.svg\" alt=\"\" aria-hidden=\"true\" \/><\/button>\n<button class=\"mjm-creators-statement__trigger mjm-creators-statement__trigger--credits is-inactive\" type=\"button\" data-panel=\"credits\" data-mjm-creators-statement-trigger aria-controls=\"mjm-creators-statement-1credits\" aria-expanded=\"false\" aria-current=\"false\"><span class=\"mjm-creators-statement__trigger-text\">Credits &amp; Acknowledgement<\/span><img decoding=\"async\" class=\"mjm-creators-statement__control-icon\" src=\"https:\/\/museejuifmontreal.ca\/wp-content\/themes\/mjm-theme\/assets\/images\/go_to_arrow.svg\" alt=\"\" aria-hidden=\"true\" \/><\/button>\n                    <\/div>\n                <\/div>\n                <div class=\"mjm-creators-statement__right\">\n                    <div class=\"mjm-creators-statement__content-stack\" aria-live=\"polite\">\n                        <div id=\"mjm-creators-statement-1statement\" class=\"mjm-creators-statement__content-panel is-active\" data-panel=\"statement\"><p>What is a Yiddish Line, Yiddish Shape, Yiddish Color?<\/p>\n<p>This conceptual project takes the form of a workshop that explores the foundations of two-dimensional design through the lens of Yiddish culture\u2014and more specifically, Yiddish poetry.<\/p>\n<p><em>Dos Baushtibl<\/em>\u00a0mimics the Basic Course of the Bauhaus, the famed modernist art school in Weimar Germany during the 1920s and \u201930s, with its focus on visual fundamentals such as line, shape, form, and color.<\/p>\n<p>There were a number of Yiddish-speakers in the historical Bauhaus in Weimar (mostly among the students).\u00a0<em>Dos Baushtibl<\/em>\u00a0pays tribute to that history and makes the Yiddish presence in the 20th-century modernist education project less inconspicuous.\u00a0<strong>It adopts Bauhaus principles and uses them as a foundation for a distinctly Yiddish visual art.<\/strong><\/p>\n<p>The title\u00a0<em>Dos Baushtibl<\/em>\u00a0is a Yiddishized diminutive of \u201cBauhaus,\u201d simultaneously mimicking and questioning the asymmetrical relationship between secular Jewish\/Yiddish culture\u2014especially visual art\u2014and the grand traditions of European art.<\/p>\n<p><strong>Where does Yiddish visual art begin?<\/strong>\u00a0Given the centrality of language in Yiddish culture,\u00a0<em>Dos Baushtibl<\/em>\u00a0uses Yiddish poetry as a point of departure. However, this project does not simply illustrate Yiddish literature. While recognizing the importance of language in Yiddish culture,\u00a0<em>Dos Baushtibl<\/em>\u00a0draws from Yiddish verse to create independent, stand-alone works of visual art.<\/p>\n<p>Thus,\u00a0<em>Dos Baushtibl<\/em>\u00a0exists at the intersection of several contradictions:<\/p>\n<ol>\n<li>How can visual art be Yiddish when Yiddish is, first and foremost, a language?<\/li>\n<li>Can literature serve as a foundation for autonomous visual art?<\/li>\n<li>Can a project rooted in a mainly European artistic tradition achieve independence from that tradition\u2014or will it always remain a provincial tag-along, a small-scale Yiddish \u201cBauhaus\u201d following in the legendary institution\u2019s footsteps, locked in an asymmetric relationship?<\/li>\n<\/ol>\n<p>Can Yiddish visual art escape the hegemony of both Jewish literary tradition and the dominant European artistic legacy? Or can it draw from both and still claim autonomy and authenticity?<\/p>\n<p><em>Dos Baushtibl<\/em>\u00a0is an experiment in search for formal autonomy in Yiddish visual art\u2014a search that must begin with the basics: the foundations of visual art itself. It goes back to the fundamentals, beyond context, history, memory, and inherited do\u2019s and don\u2019ts.<\/p>\n<p><strong>Yiddish visual art begins at the beginning\u2014with the basics of line, shape, form, and color.<\/strong><\/p><\/div>\n<div id=\"mjm-creators-statement-1biography\" class=\"mjm-creators-statement__content-panel\" data-panel=\"biography\" hidden><p><strong>Yevgeniy Fiks <\/strong>is a Moscow-born New York-based artist, author, and organizer of art exhibitions. Among his projects are \u201cA Gift to Birobidzhan,\u201d \u201cLandscapes of the Jewish Autonomous Region,\u201d and \u201cHiml un erd (Yiddish Cosmos)\u201d that have been exhibited at 2B Galeria, Budapest; Galerie Sator, Paris; 21ST.PROJECTS\/Critical Practices Inc., New York; and CCI Fabrica, Moscow. Fiks\u2019s performance pieces \u201cLily Golden, Harry Haywood, Langston Hughes, Yelena Khanga, Claude McKay, Paul Robeson, Robert Robinson on Soviet Jews\u201d and \u201cRed Kaddish\u201d have been performed at the International Print Center New York and the Museum at Eldridge Street\/A Landmark Synagogue Story, both in New York.<\/p>\n<p>Fiks\u2019s curatorial projects include \u201cThe Wayland Rudd Collection\u201d at Winkelman Gallery, New York and First Floor Gallery Harare, Harare, Zimbabwe; \u201cIn Edenia, a City of the Future\u201d at Yermilov Centre, Kharkiv, Ukraine (with Larissa Babij), \u201cMonument to Cold War Victory\u201d at The Cooper Union, New York (with Stamatina Gregory), and \u201cYiddishland Pavilion,\u201d Venice, Italy and online (with Maria Veits). Fiks is the author of the programmatic essay \u201cYiddish Contemporary Art\u201d that has appeared in Yiddish, English, Russian, Hungarian, Belarusian, Polish, and Slovak.<\/p><\/div>\n<div id=\"mjm-creators-statement-1credits\" class=\"mjm-creators-statement__content-panel\" data-panel=\"credits\" hidden><p><strong>ARTIST<\/strong><br \/>Yevgeniy Fiks<\/p>\n<p><strong>ARTISTIC DIRECTOR<\/strong><br \/>Alyssa Stokvis-Hauer<\/p>\n<p><strong>CURATORS<\/strong><br \/>Taryn Fleishchmann, Austin Henderson, Alyssa Stokvis-Hauer<\/p>\n<p><strong>CONTRIBUTING ARTISTS<\/strong><br \/>Asha Thomas-Paskal, Ava Berkson, Chava Rosengarten, Claudia Bulaievsky, Corbin Allardice, Edith McCrea, Ila Novak, Kelly Steinmetz,\u00a0Moyshe Schlerf, Rachel Leader, Raia Gutman, Ruth Geye, Sarah Bindel<\/p>\n<p><strong>GRAPHIC DESIGN<\/strong><br \/>Austin Henderson<\/p>\n<p><strong>SCREEN PRINTING<\/strong><br \/>Scott Osborne<\/p>\n<p><strong>TRANSLATION<\/strong><br \/>Sebastian Shulman (Yiddish), Sophie Boivin-Joannette (French)<\/p>\n<p>Special thanks go to Avia Moore, David Moss, Uri Schreter, and Pippa Bartlett for their support on this project.<\/p><\/div>\n                    <\/div>\n                <\/div>\n            <\/div>\n        <\/section>\n\n<section class=\"mjm-collaborators\">\n            <div class=\"mjm-collaborators__inner\">\n                <h2 class=\"mjm-collaborators__heading\">In Collaboration With<\/h2>\n                <div class=\"mjm-collaborators__description\"><p>This installation was produced under\u00a0<a href=\"https:\/\/museemontrealjuif.ca\/mjac\/\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"https:\/\/museemontrealjuif.ca\/mjac\/\">the Montreal Jewish Arts Collaborative (MJAC)<\/a>\u00a0granting initiative, made possible through the support of the Averbach Family Foundation, CANVAS, The Azrieli Foundation, and the Canadian Race Relations Foundation.<\/p><\/div>\n                <ul class=\"mjm-collaborators__image-list\" role=\"list\"><li class=\"mjm-collaborators__image-item\"><img decoding=\"async\" class=\"mjm-collaborators__image\" src=\"https:\/\/museejuifmontreal.ca\/wp-content\/uploads\/2026\/06\/CANVAS-Logo-Black-Vector-1024x582.png\" alt=\"\" loading=\"lazy\" \/><\/li><li class=\"mjm-collaborators__image-item\"><img decoding=\"async\" class=\"mjm-collaborators__image\" src=\"https:\/\/museejuifmontreal.ca\/wp-content\/uploads\/2026\/06\/Azrieli-Foundation-Logo-Transparent-e1780637691513-1024x481.png\" alt=\"\" loading=\"lazy\" \/><\/li><li class=\"mjm-collaborators__image-item\"><img decoding=\"async\" class=\"mjm-collaborators__image\" src=\"https:\/\/museejuifmontreal.ca\/wp-content\/uploads\/2026\/06\/BettyAverbachFoundation.png\" alt=\"\" loading=\"lazy\" \/><\/li><li class=\"mjm-collaborators__image-item\"><img decoding=\"async\" class=\"mjm-collaborators__image\" src=\"https:\/\/museejuifmontreal.ca\/wp-content\/uploads\/2026\/06\/KlezKanada-Logo-2021-teal-clear-e1637530380969.png\" alt=\"\" loading=\"lazy\" \/><\/li><li class=\"mjm-collaborators__image-item\"><img decoding=\"async\" class=\"mjm-collaborators__image\" src=\"https:\/\/museejuifmontreal.ca\/wp-content\/uploads\/2026\/06\/CRRF-Logo-Bilingual-Black-768x147-1.png\" alt=\"\" loading=\"lazy\" \/><\/li><\/ul>\n            <\/div>\n        <\/section>","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":4662,"template":"","mjm_exhibition_type":[85],"class_list":["post-4666","mjm_exhibition","type-mjm_exhibition","status-publish","has-post-thumbnail","hentry","mjm_exhibition_type-vitrine-installation"],"_links":{"self":[{"href":"https:\/\/museejuifmontreal.ca\/en\/wp-json\/wp\/v2\/mjm_exhibition\/4666","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museejuifmontreal.ca\/en\/wp-json\/wp\/v2\/mjm_exhibition"}],"about":[{"href":"https:\/\/museejuifmontreal.ca\/en\/wp-json\/wp\/v2\/types\/mjm_exhibition"}],"version-history":[{"count":0,"href":"https:\/\/museejuifmontreal.ca\/en\/wp-json\/wp\/v2\/mjm_exhibition\/4666\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museejuifmontreal.ca\/en\/wp-json\/wp\/v2\/media\/4662"}],"wp:attachment":[{"href":"https:\/\/museejuifmontreal.ca\/en\/wp-json\/wp\/v2\/media?parent=4666"}],"wp:term":[{"taxonomy":"mjm_exhibition_type","embeddable":true,"href":"https:\/\/museejuifmontreal.ca\/en\/wp-json\/wp\/v2\/mjm_exhibition_type?post=4666"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}